
Beth Mattson is a writer who lives and works in Portland, Oregon. She has her MFA in writing from California College of the Arts. When she is not busy nannying for cash, she hunkers down in a snug little bungalow where she hides form zombies, edits her YA novel, pens sarcastic poetry and chases after her messy and rambunctious baby and partner.
Chhat: When did you first decide to become a writer? And why did you choose Young Adult Literature, out of all the genres of writing why YA Lit?
Beth: The first time I decided to be a writer was in middle school, and I was set on illustrating my own children’s picture books. The second time I decided to be an author I was in my early twenties and was composing a lesbian-themed, erotic action adventure. The third and most recent time that I became bent on being an author was when I applied to get my MFA in Writing based largely on my dark, mean, adult poetry.
My thesis project was a YA zombie novel that I am still editing and submitting to literary agents. I chose YA for my novel because the teenage years are very dramatic, adventurous years where many life decisions are in flux. Such a tumultuous time of life gives me a lot of freedom to explore the extremes of love, lust, horror and adventure. I’m not drawn to stories that consist only of quiet moments, and I use YA fiction to focus on the epic, flamboyant aspects of my stories.
Chhat: What inspires you to write? Do you find yourself drawn to one subject? Or more than one? What are some common themes in your writing? Or if you have more than one?
Beth: My annoyingly moody and daydream-y, not entirely un-teenager-ly personality drives me to write. I am easily excited and overwhelmed by intense concepts, leading me to focus on topics that give me nightmares. These themes readily become apparent in my writing: unclear definitions of and attempts to join humanity, the huge errors and flaws on the winding path to success and physical, the struggle to act in the face of others’ controlling decisions, and bodily development and transformation.
Chhat: If you have ever experienced writer’s block, what do you do to overcome this? Any suggestions or recommendations on how to improve this?
Beth: Every writer experiences writer’s block at some, nay, many points in the process! (Nervously: don’t they?) I try to do like Johnny Cash says and “get a rhythm when you get the blues.” Mopey moods without ready inspiration can be very helpful. On the days that feel too dull and full of pressure to write new material, I work on old material, write about my foul mood and desperation or absolutely put off working on anything productive. Slacking off by taking a walk, watching a movie or reading comics can be accidentally inspiring and every piece of writing occasionally needs some time and space before it can be truly seen and improved upon again.
I write and produce creative works the best when am I am supposed to be working on something else, so sometimes I get a day job or take a math class. Hating a cubicle or procrastinating the studying of something practical really lights my fire.
Chhat: How do you feel about censorship? Is there ever a situation where censorship is needed? Has your work ever been censored? How would you feel about this and what would you do about it?
Beth: Censorship is relative. If one is planning on publishing a book for children through a major publisher, once can expect to have all graphic material removed from one’s manuscript. One can expect to agree to it. On the other hand, if one does not agree with a certain degree of manuscript censorship, for whatever reason, one can self-publish, issue a press release or re-evaluate whether or not the rest of the message is worth cutting out what a third party considers distracting.
Chhat: How do you feel about the internet as a way of publishing? For example, blogs, e-readers, online journals… etc. How do you feel about this direction as a way of reading/writing and publishing work?
Beth: I love physical, paper, glue-bound books. Real books are amazing. They smell good, feel nice and carry a lot of prestige that e-publishing does not award. That said, when material is not suitable or chosen for publication by a major (or even minor) house, it was still worth writing and reading. There are many ways to distribute stories. Movies, zines, stickers, graffiti, blogs, physical or e-publishing of novels and collaborative, open-source projects are wonderful ways of releasing work to the world. Many officially published books are badly done or require self-promotion lest they fall into obscurity; I don’t think that broadcasting narratives on the Internet or Kindle is much different. With a constant eye towards quality and content, informal ways of publishing stories can be a great thing.
Chhat: What YA books can you suggest for the OSA young adult library collection? What books inspired you when you were a young adult? Name a couple of your favorite books.
Beth: Oh my goodness. Where to begin? I think my tastes occasionally include middle-grade fiction or adult novels with young characters.
The True Confessions of Charlotte Doyle, by Avi
Island of the Blue Dophins, by Scott O’dell
A Wrinkle In Time, by Madeleine L’Engle
The Bluest Eye, by Toni Morrison
Fledgling, by Octavia Butler
The Rapture of Canaan, by Sheri Reynolds
A Yellow Raft in Blue Water, by Michael Dorris
I Know Why the Caged Bird Sings, by Maya Angelou (yeah yeah, not fiction)
We Should Never Meet, by Aimee Phan
The Giver, by Lois Lowry
Number the Stars, by Lois Lowry
Holes, Louis Sachar
The Journey of Natty Gan, by Ann Mathews
The Hunger Games, by Suzanne Colins
Boneshaker, by Cherie Priest